In the Song of Roland, the poet makes a very sure distinction between not only the pagans and the Franks, but also between each of the individual characters. Through the heroes and villains in the story, the poet gives a moral expectation for the neo-Romans in Francia. The two heroes in the story, Charlemagne and Roland, symbolise heroism through their actions. Charlemagne, who is two centuries old and has gathered quite a lot of wisdom at this stage of his life, identifies with a more paternal figure and heroism. In the Song, Charlemagne is quite the opposite of the virile hero we might picture. Instead, he is a small, shriveled and ancient man, aged by life and the many battles he fights. He is wise, humble, and diplomatic. He symobolises one side of heroism in the Song.
Roland is depicted as a young fellow, well [self-] absorbed in his own youth. He is strong, noble, brave, and proud. He is the young virile hero we might imagine a medieval hero to be, and perhaps he was the one from which Charlemagne aged. While Roland lacks the wisdom and humility gained with age, he possess the physical prowess necessary in combat. And here lies the other side of heroism in the epic. However, it is important to note that without diplomacy, strength is useless; without humility, pride has no meaning; without wisdom, power is weakness. And so it is exemplified in the Song.
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