Chaucer's Wife of Bath acts in all ways womanly yet none at all. Chaucer brilliantly composes his character to not only highlight the commonly associated vices of women, but also to demonstrate the fragile and angelic character traits. As promiscuous and loud the wife of Bath is, she possesses a strong desire of loyal companionship. In her story, she further demonstrates these two sides of her personality. When the young man is asked whether he'd prefer a wife who is beautiful and promiscuous or ugly and loyal, Chaucer (through the Wife of Bath) satirizes the restrictive misogynous view of "the two types of wife". Although to satirically prove a point, Chaucer admits truth in the stereotype he illustrates, the Wife of Bath holding a great deal of womanly vices.
On the other side of Medieval feminism, Christine de Pizan presents in her The Book of the City of Women a view of woman void of satire and vices seen in Chaucer's work. Here, Christine portrays herself learning about the role, rights, and capabilities of women from divine 'Reason'. She writes with the eloquence of classical Latin commonly associated with that of a man's oratory, also providing her character with the classical and traditional virtues often associated with philosophers.
However, de Pizan later wrote a book satirizing the view of women in her medieval societal context. The Querelle du Roman de la Rose presents women both as treasures to obtain through courtly love but also satirically as creatures of vicious seduction to be watched closely.
No comments:
Post a Comment